Max Chapman’s Fourth Trailer, for his masterpiece Indiana Bones, is now up. take a look, because even Nazis can be hot:
Archive for November, 2009
INDIANA BONES
Friday, November 27th, 2009THE GERMANS LOVE US
Tuesday, November 24th, 2009
We were reviewed by German Web Magazine TVDIGITAL.de and here is a translation courtesy of Sayed’s bodyguard, Matt Weight
A series with youth-friendly pictures and extremely witty dialogue involving the human side of the Porn industry. However, the trick of the films is not the portrayal of banal sexuality, but with the artistically challenging task of expressing genuine intimacy – that is, at least within the confines of the studios of ‘Pornomount Pictures’. With their pornographic depictions of great cinematic pictures they strive to become the number one studio in the entire adult industry.
From the very beginning of the opening episode ‘The First Time’ the satirical element which the writers and producers have created are apparent; The Joker from ‘The Dark Knight’ has his grand entrance. Only this time it the porn ‘The Dark Night: Full of Hot Freakin’ Orgies’ in which the scene where the Joker shoves a pencil through a man’s head is reenacted. The end result, however, is quite different; the Joker slams an enormous purple dildo on the table, which one hopes he knows how to operate better than that.
The director, Max Chapman, is generally pleased with the scene, he still however has some problems with the performance of his leading actor. “The question is, what does the Joker want in this moment?” – “he wants to have sex with the sharp blond girl”, that is the wrong answer. The director screams “He wants to kiss and cuddle/ intimacy (I’m serious) “at the joker.
In such a manner the erotic fun of the web series is pulled forward, without naked bodies and without sex. Yet, can a man who is used to watching actual porn be satisfied with superb acting achievements, innovative cinematography and intelligent dialogue? Sure! It is exactly because of these things that one looks at the porno’s, in the same manner that director Max Chapman does. And that is the reason this web series is so delightful to behold. Irregular/irreverent , new eight minute chapters appear in English. Three episodes have already been presented.
You can find the original article here.
MAX CHAPMAN’S NEWEST TRAILER
Wednesday, November 18th, 2009Our newest trailer for Max Chapman’s blockbuster G.I. HO just came out. Take a look, you won’t regret it.
Here’s what’s what: On the heels of porn film Director Max Chapman’s (Pornamount Pictures) release of his movie trailer, THE PORN IDENTITY, comes his newest trailer, G.I. HO. Chapman has also directed “FORREST HUMP” for Pornamount. Be sure to watch Chapman in action in BLUE MOVIES, the new comedy series starring Sascha Alexander, Beck Bennett, and Jareb Dauplaise.
ANOTHER GREAT REVIEW! (4 out of 5 stars)
Monday, November 9th, 2009
Thanks to Liz Shannon Miller over at NewTeeVee station for covering us. She gave us the same rating she gave Dr. Horrible’s Sing Along Blog. In the company of Joss Whedon? We’ll take it. Here’s the review:
Here’s the blunt truth of it: Even a major prude could probably derive enjoyment from Blue Movies, a well-produced little comedy series about the behind-the-scenes world of pornography, and as I’ve mentioned in the past, I’m no puritan.
Blue Movies, which is well-produced, tightly written, and occasionally (though not always) hilarious, depicts the world of Pornamount Pictures, a studio that specializes in adult adaptations of films like Forrest Gump, The Shawshank Redemption and The Dark Knight (the porn version of that film being titled The Dark Night Full of Smokin’ Hot Orgies — “Let’s make Christopher Nolan proud!” shouts the director). The show, told from the point of view of new intern Tom (Beck Bennett), who bumbled onto the set believing that he was actually starting an internship at Paramount, is seemingly focused around these XXX-rated satires of Oscar winners (trailers for which are available separately), but is at its best during the behind-the-scenes sequences, which are just like any Hollywood satire, except with more naked people.
However, while dealing with mature subject matter, Blue Movies is surprisingly clean, and the more explicit material tends to be of a verbal, not visual, nature. And while the female characters could all too easily have fallen into awful stereotypes, they’re actually not that bad. One of them even keeps her clothes on! (That’d be Sascha Alexander as the tough and funny Anna, who plays an important role as mentor to Tom and assistant to Max.) The only weak link of the series is Jareb Dauplaise as Max, who’s a committed performer but simply isn’t that believable as a porn kingpin — mainly because he looks like he’s about 22 years old.
A personal disclaimer: I once spent a few hours on the set of an adult film shoot (which was a helluva education, let me tell you), and while I’m not going to demand any sort of accuracy from a comedy satire, it does seem important to me to point out that quite a bit of pornography isn’t shot in a studio, bur rather in so-called “porn houses,” which are either private residences or specially held properties owned by location companies and leased to productions. And the crew on a porn set covers a wide range of ages and experiences, many of whom, like bumbling intern Tom, aspire to work in mainstream entertainment and are using porn as a stepping stone to a legit career — a career arc that has precedent. Omitting that latter fact feels like a major oversight, though plays well with the series’ tongue-in-cheek celebration of pornography as an art form.
You could perhaps draw a parallel between Max’s efforts to elevate the medium to that of the web series world, struggling to be taken seriously on a creative level while also achieving financial success — except that Max has sex on his side. He has it much easier.
You can check out the original review HERE
